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Deleuze and the Fold: A Critical Reader Sjoerd van Tuinen, Niamh McDonnell
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13 March, 2012: TBA This lecture is part of the Intensive Programme of the Utrecht School of Critical Theory on “Risk Societies and Cosmopolitanism”. The practice of close reading or of an 'explication de texte' as a critical tool for destabilizing language, for breaking up the linear unfolding of language into discontinuous fragments. The key to unlocking Deleuze's diverse engagements in topics spanning cinema, politics, art, music, as well as his core concepts: the nomad, the fold, and rhizomes is the univocity of being. My text-work Close Reading (G.D.T.F, 1993) has been selected for inclusion in the forthcoming edition of COPY, a publication of experimental/art writing curated by Critical Writing Collective. €�”Literature and Life.” Essays Critical and Clinical. These philosophers and ideas fashion Hansen's distinct analysis of certain digital artworks. Each session of the three-hour seminar will consist of an in-depth reading of a text by Gilles Deleuze (with or without Felix Guattari), sometimes alongside secondary texts by other theorists or philosophers. Princeton : Yale University Press (1991), 227-247. After all, Deleuze's affirmation of . Which is perhaps what interests the reader of Deleuze's writings on literature: a series of folded literatures, each bearing its own map of intensities and waiting for encounter, its own language waiting to speak out. HIV, Science, and the Social: A collaborative forum for critical enquiry on HIV/AIDS and global health: experiment, ethics, and practice. Such fields of action and significance—leaking out on all sides— are mediated by power and knowledge, but they are also animated by Transcriptions. This year the theme will be Deleuze's Reading material: Texts from The Fold, ATP and the Cinema Books. Understanding the precise character of Deleuze's identifications, however, is one of the great challenges facing his readers. Hansen, throughout New Philosophy for New Media, extends Henri Bergson's notion of the zone of indetermination along with concepts of bodily perception and sensation set out by Gilles Deleuze. Alongside this distinction between Nietzschean and Hegelian difference, Deleuze distinguishes two images of critique: Nietzsche's merciless prelude to creativity is contrasted with Kant's critical project (critique as a means of re-founding the established values of truth and morality). By reading our cases in light of Deleuze's ideas, we uphold the rights of microanalysis, bringing into view the immanent fields that people, in all their ambiguity, invent and live by.