Kant after Duchamp. Thierry de Duve

Kant after Duchamp


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ISBN: 0262540940,9780262540940 | 500 pages | 13 Mb


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Kant after Duchamp Thierry de Duve
Publisher: MIT Press




This volume brings together eight essays around a central thesis, with implications for the history of avant-gardes. The title of the blog derives from Thierry de Duve's book Kant After Duchamp and was also the title of the written portion of my MFA thesis. See also Thierry De Duve, Kant After Duchamp (Cambridge, MA, and London: MIT Press, 1996), 199–279. Thierry de Duve, Kant After Duchamp, London: The MIT PRESS, 1996. The most important book to me since Thierry de Duve's Kant After Duchamp (MIT Press, 1998). The fat man in history and other stories – peter carey 5. Because I am reading this book, Kant After Duchamp written by a long-winded Frenchman, Thierry de Duve. The title 'This is Whatever' transpired by reading Thierry de Duve's 'Kant after Duchamp'. The most common object can be said to be art in specific contexts. Kant After Duchamp is a book by Thierry de Duve in which he argues that disputes about the definition of art are a necessary consequence of Marcel Duchamp's presentation of a readymade as a work of art. By inventing the readymade, Marcel Duchamp brings a new idea into art, moreover, he radically transforms the meaning of art. Book Review: Kant After Duchamp by Thierry de Duve Reviewed by Mark Cheetham Exhibition Review: DISRUPTURE and CYBERHOME 2000. KANTAFTERDUCHAMPTHIERRY DE DUVEAN O C T O B E R BOOKT H E M I T PRESS CAMBRIDGE, MASSACHUSETTS LONDON, ENCLAND © 1996 Massachusetts Institute of Technology All rights reserved. Everyone should read some henry miller (especially recommending black spring) even if it's just an extract or 10 pages. Art as an artist defined it and as ratified by a museum. 4 Paul Chan, “What Art Is and Where It Belongs,” e-flux journal, no. Kant after duchamp – thierry deduve 4. Why am I suddenly obsessed with these questions again? Within this text there is a sense of the 'battle of aesthetics' during the period of modernism and a sense of loss in post-modernism.

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